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Over the last three and a half years, Ms. Swift has established herself as pop’s leading naïf. Not in her songwriting, which has been precocious, but in her persona. By now, she’s even patented a look she whips out at award shows, concerts and more, when her innocence is threatened by acclaim: eyes wide, mouth agape, hand held over it as if to keep in the breath she’d just gasped as if it were her last.
Her Sunday night at the Grammys will be remembered as the turning point. She won four awards, including album of the year for “Fearless” (Big Machine), her outstanding second record — the youngest artist ever to do so, and the first solo female country singer to earn that as well. It was the ultimate stamp of insider approval for someone who insists that she’s thrilled just to be invited to the party.
But the night also revealed her weaknesses. Her new single, “Today Was a Fairytale,” from the “Valentine’s Day” soundtrack, opened her performance, and it was limp, a parody of her best songs about teen love fantasy. That transitioned into a pitch-challenged duet of “Rhiannon” with Stevie Nicks, who then joined in — facing her own vocal challenges — on a banjolin-driven version of Ms. Swift’s “You Belong With Me.”
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